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　　李凭甲—中共党员。中国人民大学商学院博士生导师。北京大学政府管理学院研究员。清华大学美术学院博士生 导师。文化旅游部老年大学教授。清华大学美术学院博士生导师!现任教育部中国智慧工程研究会副会长，中国人民对外友好协会顾问。中国书画家协会副主席。中国名人艺术家联合会执行会长，北京名人美食保健协会首任会长，世纪国联美食文化交流中心主任，中视旅协艺术顾问，中国榜书协会顾问。中华炎黄文化砚文化促进会顾问。书画国际交易平台有限公司董事长。

　　Li Bingjia-a member of the Chinese Communist Party. The professor of Renmin UniversITy's Business School. Professor, School of Government, Peking University. Doctoral student, tutor, school of Fine Arts, Tsinghua University. Professor of Senior University, Ministry of Culture and tourism. School of Fine Arts, Tsinghua University doctor, Student Tutor! He is currently the vice-president of the China Intelligent Engineering Research Association of the Ministry of Education and the consultant of the Chinese People's Association for Friendship with Foreign Countries. Vice Chairman of Chinese calligraphers and painters association. Executive Chairman of China Celebrity Artists Association, First President of Beijing Celebrity Gourmet Health Association, Director of Century League of Nations Gourmet Culture Exchange Center, art consultant of CTV Travel Association, Advisor of China List Book Association. Chinese Yanhuang Culture Inkstone Culture Promotion Council consultant. Chairman of painting and Calligraphy International Trading Platform Co. , Ltd. Chairman of painting and Calligraphy International Trading Platform Co. , Ltd.

　　李凭甲：以碑立骨大气象

　　史锋

　　书画同源，功在同修。当代著名书画家李凭甲前辈，就是一位深谙书画同源之论，深琢书画同修的大手笔。他把书法与绘画两门法度统一在一起，见证明书画文化原本一体，不可分流的正大气象，所以在当代艺坛，可称书画大贤。

　　Li Bingjia: to Stele Bone Meteorology Shi Feng Calligraphy and painting homology, merit in fellow practitioners. Li Bingjia, a famous contemporary calligrapher and painter, is a great master of the theory that calligraphy and painting are of the same origin. He unified the two methods of calligraphy and painting together to prove that the culture of calligraphy and painting is one and the same, so in the contemporary art world, can be called a great sage of calligraphy and painting.

　　他的书法诸书皆修，功显魏碑。魏碑是隶书楷化进程中的重要承启关接，在书法源变史上的地位相当重要，所以能成书法大功者，必然要对魏碑精琢深修。也正是基于这种认识，清代兴起了碑学之风，成为与帖学并立垢书法修养路径。只是当代书坛魏碑因其难以习成，笔法筋骨化无穷，很难有人能像李凭甲前辈这样，有才华并且有定力深师碑学，修得魏碑得筋立骨的正大气象。他的魏碑书法，第一印象便是原碑原质，笔劲雄浑，笔画如削，所以如旧碑拓写的质感，这就是魏碑得其形的原因。再看，他的书法与原碑进一步对照，又有许多值得审美琢磨的新意象。碑字刻成，虽然雄劲，得是滞是难免。李凭甲写魏碑，大处着手谨尊其形，但是细处之法多生变化，笔法以方整为显像，再以圆润为潜意，所以魏碑的书写性得到非常好的提质强化，书法的笔墨意味更加鲜明，气韵生动，这便是书写而生的性灵，并不是照碑描碑的生硬。这样的魏碑是正典雅观的书法品位。

　　All his calligraphy works were completed, and his achievements were noted on the WEI tablet. Wei Tablet is an important link in the process of regular script, and it plays an important role in the history of calligraphy. It is also based on this understanding, the rise of the Qing Dynasty Tombstone Study of the wind, and become a model of learning and calligraphy cultivation path. But the contemporary calligraphy of the Wei tablet because it is difficult to learn, the style of writing is endless, it is very difficult to have someone like senior Li Bingjia, talented and have the strength of the deep division of Stele study, to build the Wei tablet muscle and bone of the upright atmosphere.His Wei tablet calligraphy, the first impression is the original tablet, strong strokes, strokes such as cut, so the texture of the old tablet rubbings to write, this is the reason for the shape of the WEI tablet. Look again, his calligraphy and the original tablet further contrast, there are many new images worthy of aesthetic consideration. The inscription carved into, although vigorous, it is inevitable stagnation. When Li Bingjia wrote the Wei tablet, he was careful to respect its shape in a large way, but his style of writing changed a lot,Furthermore, with roundness as the underlying intention, the written character of the Wei tablet was enhanced. The ink and brush of the calligraphy was more vivid and vivid. This was the spirit born from writing, not the rigidity of the tablet. Such wei tablet is a classical and elegant view of calligraphy taste.

　　这说明先生写魏碑，不但精通其原碑形态的塑造，也精通笔墨神韵的表现。形韵相和，便是圆与浑照见同在的新面目。笔墨圆通，书风为厚，笔墨圆融，书品显活，在方笔的基础上，有意识的构进圆笔形态，不失雄浑，再见神采，通过以圆济方，方圆中相通的非凡驾驭，让他的魏碑走上了既能立骨，亦能传神的新高度，书法的装饰美感不必多言，书法的艺术气息更是超凡脱俗!特别是他师碑而不拘，在魏碑的结构上法有独创，改变了魏碑结体显紧缩适石刻的旧有体貌，而是把魏碑的结体推向了疏阔卓梳，用笔飞动，带有行楷形断意连的脉络感，所以笔墨不压抑，气韵四达，在雄迈的基础上，再显雅致的性灵。中书协主席苏士澍识其魏碑传承与创新的功力，称之为新魏碑。

　　This shows that Mr. write Wei tablet, not only proficient in the shape of its original tablet shape, but also proficient in the performance of verve. The combination of form and rhyme is the new appearance of circle and harmony. The Pen and ink are round and smooth, the style of writing is thick, the pen and ink are round and mellow, and the works of the book are vivid. On the basis of the square pen, he consciously constructs the shape of the round pen, not losing the masculine and vigorous look, and the charm of goodbye. By using the extraordinary control of the circle to help the square and the circle, his WEI tablet was able to stand on both bones, can also convey the spirit of the new height, the decorative beauty of calligraphy do not have to say more, the artistic flavor of calligraphy is extraordinary refined!In particular, he did not stick to the structure of the stone tablet, the structure of the stone tablet in Wei was original, changing the structure of the stone tablet in Wei shows the old appearance of contraction and adaptation, but the structure of the stone tablet in Wei pushed to the wide Zhuo Shu, with the pen flying, with the line of lines and lines of the form of the broken sense of continuous, so the pen and ink do not suppress, Qiyun up to four, in the male step on the basis of, and then elegant spirit. The Chairman of the Chinese Calligraphy Association, Su Shishu, recognized the inheritance and innovation of the Wei tablet, which he called the new Wei tablet.

　　他不对原碑进行简单的刻意复制，而是融入个人对魏碑文化的独特理解，笔风厚峻，气韵生动，这就是魏碑创作难能可贵的开拓成就!与古为新，大功告成。以碑立骨大气象，赋彩流丽醉气韵。前辈磨砺书法春 秋不辍，以书入画也是情趣盎然。善画山水流丽醉美。一幅鸿运当头，用笔墨彩的表现力，寄寓山水渡文化的审美内涵，观之悦目，享之卧游。他画山水，师法宋元之法，善积墨写意山水刚打铁铸的精神体貌，所以皴笔能刮铁。再赋青绿成生机，山水便在高远屠云的空间里，生成云烟浩荡，叠翠清凉的唯美意象。再写意进飞瀑落深渊盈的形象，构造出四面青山聚宝盆的美 1 情景，果然是色不碍墨，墨不碍色的意象吉祥。这就让他的山水作品能达成雅俗共赏的境界。能执笔墨悦大众，绝对是文化修九层!高人画山水，妙在动人心!(作者系中国当代书画著名评论家)

　　He did not simply copy the original stone tablet, but into the unique personal understanding of the culture of the Wei Tablet, writing style, vivid charm, this is the precious pioneering achievement of the WEI tablet creation! New with the old, done. To the monument bone meteorology, endowed with color flow beautiful intoxicating charm. The older generation sharpens the calligraphy spring, the autumn does not stop, by the book into the picture is also full of interest. Good at painting beautiful scenery drunk beauty. A picture of good fortune, with the expressive force of ink color, reposing the aesthetic connotation of the landscape culture, the beauty of the view, enjoy the reclining tour.He painted landscapes, learning from the song and Yuan Dynasties, good ink freehand landscape just cast iron spirit and physical appearance, so textured pen can scrape iron. Then entrust green into vitality, landscape will be in the space of high-altitude killing clouds, the generation of vast clouds and smoke, stacked green cool aesthetic image. Again Freehand into the image of the waterfall fall into the abyss ying, the United States to construct a treasure basin of mountains around the United States 1 scene, as expected is color does not interfere with ink, ink does not interfere with the color of the image of good luck. This allows his landscape works to reach the realm of both refined and popular appreciation. Can write to please the public, is absolutely nine cultural repair! (Master painting landscape, the wonderful is moving! The author is a famous critic of Contemporary Chinese Painting and calligraphy)